{"title":"Argentine Literature","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNarrative, poetry, and essays by contemporary Argentine authors. We ship to all of Australia and New Zealand.\u003c\/p\u003e","products":[{"product_id":"cadaver-exquisito-agustina-bazterrica","title":"Tender Is the Flesh, Agustina Bazterrica","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eA ruthless dystopia in which Agustina Bazterrica inspires, with the explosive power of fiction, highly topical debates.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe sudden appearance of a lethal virus that attacks animals irreversibly changes the world: from wild beasts to pets, all must be systematically sacrificed, and their meat can no longer be consumed. Governments confront the situation with a drastic decision: legalizing the breeding, reproduction, slaughter, and processing of human meat. Cannibalism is law, and society has been divided into two groups: those who eat and those who are eaten.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMarcos Tejo, general manager of the Krieg slaughterhouse, separated from his wife and in charge of his father, is an obscure bureaucrat. The day he receives a woman raised for consumption as a gift, temptations transform him into a dangerous consciousness with gruesome twists that will lead him to transgress the new norms to limits unknown to society.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat remains of humanity when the dead are cremated to prevent their consumption? Who is the other if, truly, we are what we eat?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eClarín Novel Prize, Ladies of Horror Fiction Award, one of the best science fiction, fantasy, or horror books of 2020 according to \u003c\/span\u003e\u003ci\u003eThe Washington Post\u003c\/i\u003e\u003cspan\u003e, and a finalist for the Goodreads Choice Awards.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith more than 200,000 readers worldwide, translated into 23 languages, and audiovisual rights sold.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44137677226035,"sku":null,"price":43.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/1.png?v=1774528775"},{"product_id":"chicas-muertas-selva-almada","title":"Dead Girls, Selva Almada","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThree teenage girls from the provinces murdered in the 1980s, three unpunished deaths that occurred when, in our country, we still didn't know the term \"femicide.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThree murders among the hundreds that don't make headlines or attract the cameras of Buenos Aires TV channels. Three cases that arrive out of order: the radio announces them, a small-town newspaper commemorates them, someone remembers them in a conversation. Three crimes that occurred in the interior of the country, while Argentina celebrated the return of democracy. Three deaths without culprits.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHaving become an obsession over the years, these cases lead to an atypical and fruitless investigation. Selva Almada's sharp prose captures the invisible in black and white, and the everyday forms of violence against girls and women become part of an intense and vivid narrative. With this book, the author opens new paths for Latin American non-fiction.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44137677324339,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/5.png?v=1774402880"},{"product_id":"las-indignas-agustina-bazterrica","title":"The Unworthy, Agustina Bazterrica","description":"\u003cdiv data-testid=\"description\" class=\"BookPageMetadataSection__description\"\u003e\n\u003cdiv class=\"TruncatedContent\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"TruncatedContent__text TruncatedContent__text--large TruncatedContent__text--expanded\" data-testid=\"contentContainer\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"DetailsLayoutRightParagraph\"\u003e\n\u003cdiv class=\"DetailsLayoutRightParagraph__widthConstrained\"\u003e\u003cspan class=\"Formatted\"\u003eThe world has endured water wars and environmental catastrophes. Days go from freezing to scorching in a matter of hours; the air is saturated with pestilent odors, and the sky is covered with thick, sticky mists like spiderwebs. In this desolate present, confined in the House of the Sacred Sisterhood, several women survive subjected to the designs of a religious cult and are subjected to torture and sacrifices in the name of enlightenment. All are under the strict command of the Superior Sister; above whom only 'He' stands. Who is He? Little is known; no one can see him, but from the shadows, he dominates them.\u003cbr\u003e\u003cbr\u003eNarrated through the scattered entries of the diary in which the protagonist records the ceremonies and her discoveries, this book of the night takes shape. Its pages are hidden in secret nooks, perhaps without hope of liberation, just so that someone might know of them when they are gone.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44137874161715,"sku":null,"price":42.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/2.png?v=1774402769"},{"product_id":"si-sintieras-bajo-los-pies-las-estructuras-mayores-roberto-chuit-roganovich","title":"If you felt the major structures under your feet, Roberto Chuit Roganovich","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThere is something alive and unclassifiable that has been traversing planet Earth since its creation and seems capable of outliving it. It spreads beneath the surface and emerges like a fantastic plant, in multiple senses. The various narrators of the novel—whose voices are heard in 1504, 1888, 1945—and the temporal arc of a future that only literature can imagine will bear witness to it. Time and again, as humanity grows and reflects, the biont, this organism that terrifies but also shelters, will be a mirror of historical evolution under the horror of its idea of progress.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"A contemporary and mysterious novel, in the tradition of the weird and with references to Arthur Machen, Lovecraft, or Chambers, with a touch of ecological horror and a remarkable historical reconstruction.\" –\u003cstrong\u003eMariana Enriquez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44144207659059,"sku":null,"price":46.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/6.png?v=1774468014"},{"product_id":"fortuna-hernan-diaz","title":"Trust, Hernan Diaz","description":"\u003cp\u003eIn the triumphant Roaring Twenties, Benjamin Rask and his wife Helen dominate New York: he, a financial magnate who has amassed a fortune; she, the daughter of eccentric aristocrats. But as the decade draws to a close, and its excesses reveal a dark side, the Rasks begin to be surrounded by suspicion...\u003c\/p\u003e\n\n\u003cp\u003eThat is the starting point of *Obligations*, a successful 1937 novel that all of New York seems to have read, and which tells a story that can, however, be told in a few other ways. In *Trust*, Hernan Diaz composes a masterful literary puzzle: a sum of voices, of confronted versions that complement, nuance, and contradict each other, and, in doing so, place the reader at the boundaries and limits between reality and fiction, between truth—perhaps impossible to find—and its manipulated version.\u003c\/p\u003e\n\n\u003cp\u003e*Trust* explores the intricacies of American capitalism, the power of money, the passions and betrayals that drive personal relationships, and the ambition that corrupts everything.\u003c\/p\u003e\n\n\u003cp\u003eHere is a novel that, while traversing the 20th century, hooks the reader on the first page and doesn't let go until the last, keeping them in constant suspense thanks to the fascinating literary game it proposes, full of surprises and unexpected twists.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150010675251,"sku":null,"price":42.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/7.png?v=1774523991"},{"product_id":"las-cosas-que-perdimos-en-el-fuego-mariana-enriquez","title":"Things We Lost in the Fire, Mariana Enriquez","description":"\u003cp\u003eMariana Enriquez's world doesn't have to be ours, and yet, it becomes so. It only takes a few sentences to step into it, breathe it in, and never forget it, thanks to an unusual emotional vividness. With everyday life turned into a nightmare, the reader awakens disheartened, disturbed by stories and images they will never be able to shake off.\u003c\/p\u003e\n\n\u003cp\u003eThe self-proclaimed \"burning women\" protesting against an extreme form of domestic violence that has gone viral; a student who pulls out her nails and eyelashes, and another who tries to help her; the years of government-mandated blackouts during which three friends get high, remaining friends until death do them part; the famous serial killer known as Petiso Orejudo, who was only nine years old; hikikomori, black magic, jealousy, heartbreak, rural superstitions, abandoned or haunted buildings... In these twelve stories, the reader is forced to forget themselves to follow the adventures and investigations of bodies that disappear or reappear at the least expected moment. Whether a social worker, a police officer, or a tour guide, the protagonists strive to advocate for socially invisible beings, thus delving into the weight of guilt, compassion, cruelty, the difficulties of coexistence, and a terror as profound as it is believable.\u003c\/p\u003e\n\n\u003cp\u003eMariana Enriquez is one of the bravest and most surprising narrators of the 21st century, not only within the new Argentine literature by writers born during the dictatorship but also in literature from any country or language. Mariana Enriquez transforms literary genres into narrative resources, from noir fiction to dirty realism, encompassing horror, chronicles, and humor, and delves with pain and beauty into the roots, flames, and darkness of all existence.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150010708019,"sku":null,"price":37.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/8.png?v=1774524346"},{"product_id":"un-lugar-soleado-para-gente-sombria-mariana-enriquez","title":"A Sunny Place for Shady People, Mariana Enriquez","description":"\u003cp\u003eWhoever dares to delve into the pages of this book will feel a shiver run down their spine, and then some. These are twelve tales of horror, twelve stories about horror: about the evil that lurks and the monsters that suddenly emerge in the most everyday reality, in large cities or remote small towns.\u003c\/p\u003e\n\n\u003cp\u003eIn one of the stories, a woman keeps at bay the ghosts that roam loose in a peripheral neighborhood of Buenos Aires; among them, those of her mother who died of a painful illness, those of teenagers murdered in the street, that of a thief caught mid-robbery, and that of a boy fleeing a express kidnapping. In another story, a couple rents a house for a vacation in a town that has been losing inhabitants since the train stopped running; they visit an exhibition of disturbing canvases by a local artist in the abandoned station, but the truly terrifying thing will be meeting the author of those paintings. In another piece, volunteers from an NGO distributing food in marginalized neighborhoods are pursued by children with terrifying black eyes. In another, a journalist investigating the story of a girl who disappeared in a Los Angeles hotel, whose chilling images went viral online, ends up confronting another legend of the city...\u003c\/p\u003e\n\n\u003cp\u003eAfter her monumental and acclaimed novel *Our Share of Night*, Mariana Enriquez returns to the short story and proves that she is still in top form as a great continuer and renovator of the horror genre, which she has elevated to the highest literary levels. Starting from tradition – from gothic novels to Stephen King and Thomas Ligotti – the writer explores new paths, new dimensions.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150010904627,"sku":null,"price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/9.png?v=1774524509"},{"product_id":"el-dia-que-apagaron-la-luz-camila-fabbri","title":"The Day They Turned Out the Lights, Camila Fabbri","description":"\u003cp\u003eOn December 30, 2004, a crowd of teenagers packed the República de Cromañón venue in Buenos Aires. It was the second of three consecutive nights of concerts scheduled there by the popular underground rock band Callejeros. But shortly after the first song began, tragedy struck: a flare hit a canvas tarp on the ceiling, and within seconds, a violent fire spread, killing nearly two hundred young people and injuring close to a thousand. That event, one of the worst tragedies in Argentina's recent history, not only shocked the country: it also marked the end of innocence for an entire generation.\u003c\/p\u003e\n\n\u003cp\u003eSome time later, Camila Fabbri, who had attended the previous night's concert, addressed the disaster and its consequences in this book, which we are now re-editing with a new prologue by the author, twenty years after the catastrophe. Halfway between a polyphonic novel and journalistic chronicle, Fabbri constructs an evocative narrative in which she pours her own memories and the testimony of those affected. With a lucid and serene gaze, she does not seek a journalistic recapitulation of the facts or to point out the guilty, but rather to explore the human dimension of the accident and present a snapshot, both personal and historical, of an era. Throughout the work, her voice blends with those of friends, family, and witnesses, forming a fragmented but precise mosaic of an event that remains painfully present in collective memory even today.\u003c\/p\u003e\n\n\u003cp\u003eThe Day They Turned Off the Lights is not only a valuable reflection on the discovery of vulnerability and on how tragedy strikes us and transforms us into adults: it is also an emotional and bittersweet tribute to the companions who are no longer with us, to first nocturnal adventures, to longed-for youth, and to the dreams and music that one day forged our identity.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150010937395,"sku":null,"price":37.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/10.png?v=1774524533"},{"product_id":"una-historia-sencilla-leila-guerriero","title":"A Simple Story, Leila Guerriero","description":"\u003cp\u003eIn January 2011, Argentine journalist Leila Guerriero traveled to a town of six thousand inhabitants in the interior of her country, with the intention of telling the story of a folk dance competition as secret as it was prestigious, held there since 1966: the National Malambo Festival of Laborde. Malambo, a traditional dance among Argentine gauchos, consists of sustained foot-tapping that, for its execution in competition, requires great technical skill and extraordinary athletic preparation: during the five minutes a performance lasts, the dancer reaches a speed that demands an exertion similar to that of a hundred-meter sprinter. The festival ends each year with the crowning of a man who, in the world of folklore, has the aura of an Olympic hero and is awarded the title of champion. To safeguard the prestige of the competition, the champions have made a pact: once they win, they can no longer compete in another competition. Thus, the malambo with which they are crowned is also the last of their lives. Guerriero arrived in Laborde with a simple idea: to understand why these men, children of humble families, invest time and money training for years to obtain a title that is, at the same time, the pinnacle and the end. But on the second night of the competition, she saw a dancer on stage who left her paralyzed, and at that precise moment, she decided that the story would no longer be just the story of the festival but also that of that man: Rodolfo González Alcántara.\u003c\/p\u003e\n\n\u003cp\u003eThus, she began to follow him, first in Laborde, then in Buenos Aires, this son of a modest family who survived by giving music lessons, and in January 2012, when he returned to Laborde, Guerriero accompanied him. The result is this chronicle full of suspense, packed with endearing characters like Tonchi, González Alcántara's childhood friend, who, despite having a severe health problem, travels to Laborde to see him dance; or his own parents, who, since they don't have money to pay for lodging, rent a bus where they live and sleep during the days of the festival. As the night of the competition approaches, González Alcántara takes on the dimensions of a tragic gladiator, a man preparing for a moment of immense solitude in which he knows he can win or lose everything. And Leila Guerriero, from a distance as intimate as it is implacable, as profound as it is stark, as discreet as it is intrusive, accompanies him on that journey to the final night. This book tells the most difficult of epics: the epic of the common man. That of someone who advances towards a dream moved by the most dangerous of feelings: hope.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150011002931,"sku":null,"price":37.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/11.png?v=1774525016"},{"product_id":"matate-amor-ariana-harwicz","title":"Die, My Love, Ariana Harwicz","description":"\u003cp\u003eI wrote *Die, My Love* with a vengeful spirit. I remember nothing but that, one afternoon at the end of a summer of thunderstorms in 2011, at my house in the French countryside, I threw myself onto the grass, that is, \"I reclined on the grass among fallen trees and had the impression of carrying a knife with which I was going to bleed myself out with a swift cut to the jugular.\" I remember getting up from the grass with a bloody neck, walking straight to my room, entering through the window, and sitting down to write the first sentence of what would become *Die, My Love*. But that wasn't writing. What they call writing is a lie, it's something to doubt, what they call writing is always something else, a war, sleepwalking, seeing enemies everywhere, it's something from another dimension.\u003c\/p\u003e\n\n\u003cp\u003eWord by word, phrase by phrase, comma by comma, period by period, nothing was corrected or altered by any editor in any edition. Not because it's brilliant or out of superstition, but to preserve in that first page the unique music of that late summer afternoon in 2011. To write to make disappearance endure. I wrote then, as an act of reckoning, as a pact with the mafia, if it's not allowed to shoot, burn stables, or kidnap neighbors, at least it's another way to take justice into one's own hands.\u003c\/p\u003e\n\n\u003cp\u003eI wrote *Die, My Love* while sleeping with the maddening cry of the baby above me, watching the cats under the frost, with rodents parading through the house, with the AJJJAJJJ of an owl spitting out brains it couldn't swallow, and without knowing I was writing a novel, without being anything, much less a writer. How disgusting to speak, she says, how disgusting to write. To write without knowing one is writing, to write anti-writing, the high dream of every writer.\u003c\/p\u003e\n\n\u003cp\u003eFourteen years have passed since that time I threw myself onto the grass in a demented state; *Die, My Love* was brought to trial and was read in a sentence by a French provincial judge. I dreamed I was waiting for him at the exit of the Provincial Court and I killed him, or that I followed him home and poisoned him. The novel was cited against me as: \"an example that a novel in which the character hates motherhood makes the author a bad mother.\" Writing is not, as they want us to believe today, adhering to an ideology, campaigning for an ideology, submitting to an identity; writing is opposing the world.\u003c\/p\u003e\n\n\u003cp\u003eThis work was adapted to film under its original English title, *Die, My Love*, and premiered in Official Competition at the Cannes Film Festival in May 2025. 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Samanta Schweblin nos arrastra hacia Siete casas vacías y, en torno a ellas, empuja a sus personajes a explorar terrores cotidianos, a diseccionar los miedos propios y ajenos, y a poner sobre la mesa los prejuicios de quienes, entre el extrañamiento y una «normalidad» enrarecida, contemplan a los demás y se contemplan. La prosa afilada y precisa de Schweblin, su capacidad para crear atmósferas intensas y claustrofóbicas, y la inquietante gama de sensaciones que recorren sus siete cuentos han hecho a este libro merecedor del IV Premio Internacional de Narrativa Breve Ribera del Duero. El jurado, del que formaron parte los escritores Pilar Adón, Jon Bilbao, Guadalupe Nettel, Andrés Neuman y que estuvo presidido por Rodrigo Fresán, valoró en Siete casas vacías la precisión de su estilo, la indagación en la rareza y el perverso costumbrismo que habita sus envolventes y deslumbrantes relatos.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44346315898931,"sku":"9788483931851","price":47.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/sietecasasvacias.jpg?v=1779798122"},{"product_id":"la-causa-justa-osvaldo-lamborghini","title":"La causa justa, Osvaldo Lamborghini","description":"\u003cp\u003eUno de los textos emblemáticos de Osvaldo Lamborghini, figura radical de la literatura argentina. Una pieza breve, política y experimental, atravesada por violencia verbal, ironía y una escritura ferozmente singular. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“En cuanto a \u003c\/span\u003e\u003cem\u003eLa causa justa\u003c\/em\u003e\u003cspan\u003e, ocupa un lugar especialísimo entre su obra última, por ser el único trabajo de ese período (entre otros muchos, tan buenos o mejores, aunque es \u003c\/span\u003e\u003cspan\u003edifícil imaginarse algo mejor) que Osvaldo se preocupó por dar a conocer; más que eso, insistió en hacerlo, y llegó a ocuparse él mismo, cosa rarísima, del mecanografiado. No es fácil acertar con el motivo. Podría pensarse en el exilio, en la urgencia por dar a conocer este nuevo estadio, maduro y conmovedor, de su visión de la Argentina.”   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCésar Aira\u003c\/em\u003e\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44346315931699,"sku":"9789878337517","price":42.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/Lacausajusta.jpg?v=1779798439"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/collections\/logo_cuadrado_azul_vectorizado.svg?v=1774692871","url":"https:\/\/www.surbooks.com.au\/en\/collections\/literatura-argentina.oembed?page=2","provider":"Sur Books","version":"1.0","type":"link"}