{"title":"Latin American Literature","description":"\u003cp\u003eZambra, Trías, Ojeda, Wiener, Ampuero and more voices from Chile, Uruguay, Peru and Ecuador. Contemporary Latin American narrative. Shipping throughout Australia.\u003c\/p\u003e","products":[{"product_id":"cadaver-exquisito-agustina-bazterrica","title":"Tender Is the Flesh, Agustina Bazterrica","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eA ruthless dystopia in which Agustina Bazterrica inspires, with the explosive power of fiction, highly topical debates.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe sudden appearance of a lethal virus that attacks animals irreversibly changes the world: from wild beasts to pets, all must be systematically sacrificed, and their meat can no longer be consumed. Governments confront the situation with a drastic decision: legalizing the breeding, reproduction, slaughter, and processing of human meat. Cannibalism is law, and society has been divided into two groups: those who eat and those who are eaten.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eMarcos Tejo, general manager of the Krieg slaughterhouse, separated from his wife and in charge of his father, is an obscure bureaucrat. The day he receives a woman raised for consumption as a gift, temptations transform him into a dangerous consciousness with gruesome twists that will lead him to transgress the new norms to limits unknown to society.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhat remains of humanity when the dead are cremated to prevent their consumption? Who is the other if, truly, we are what we eat?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eClarín Novel Prize, Ladies of Horror Fiction Award, one of the best science fiction, fantasy, or horror books of 2020 according to \u003c\/span\u003e\u003ci\u003eThe Washington Post\u003c\/i\u003e\u003cspan\u003e, and a finalist for the Goodreads Choice Awards.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith more than 200,000 readers worldwide, translated into 23 languages, and audiovisual rights sold.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44137677226035,"sku":null,"price":43.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/1.png?v=1774528775"},{"product_id":"chicas-muertas-selva-almada","title":"Dead Girls, Selva Almada","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThree teenage girls from the provinces murdered in the 1980s, three unpunished deaths that occurred when, in our country, we still didn't know the term \"femicide.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThree murders among the hundreds that don't make headlines or attract the cameras of Buenos Aires TV channels. Three cases that arrive out of order: the radio announces them, a small-town newspaper commemorates them, someone remembers them in a conversation. Three crimes that occurred in the interior of the country, while Argentina celebrated the return of democracy. Three deaths without culprits.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHaving become an obsession over the years, these cases lead to an atypical and fruitless investigation. Selva Almada's sharp prose captures the invisible in black and white, and the everyday forms of violence against girls and women become part of an intense and vivid narrative. With this book, the author opens new paths for Latin American non-fiction.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44137677324339,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/5.png?v=1774402880"},{"product_id":"las-indignas-agustina-bazterrica","title":"The Unworthy, Agustina Bazterrica","description":"\u003cdiv data-testid=\"description\" class=\"BookPageMetadataSection__description\"\u003e\n\u003cdiv class=\"TruncatedContent\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"TruncatedContent__text TruncatedContent__text--large TruncatedContent__text--expanded\" data-testid=\"contentContainer\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"DetailsLayoutRightParagraph\"\u003e\n\u003cdiv class=\"DetailsLayoutRightParagraph__widthConstrained\"\u003e\u003cspan class=\"Formatted\"\u003eThe world has endured water wars and environmental catastrophes. Days go from freezing to scorching in a matter of hours; the air is saturated with pestilent odors, and the sky is covered with thick, sticky mists like spiderwebs. In this desolate present, confined in the House of the Sacred Sisterhood, several women survive subjected to the designs of a religious cult and are subjected to torture and sacrifices in the name of enlightenment. All are under the strict command of the Superior Sister; above whom only 'He' stands. Who is He? Little is known; no one can see him, but from the shadows, he dominates them.\u003cbr\u003e\u003cbr\u003eNarrated through the scattered entries of the diary in which the protagonist records the ceremonies and her discoveries, this book of the night takes shape. Its pages are hidden in secret nooks, perhaps without hope of liberation, just so that someone might know of them when they are gone.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44137874161715,"sku":null,"price":42.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/2.png?v=1774402769"},{"product_id":"si-sintieras-bajo-los-pies-las-estructuras-mayores-roberto-chuit-roganovich","title":"If you felt the major structures under your feet, Roberto Chuit Roganovich","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThere is something alive and unclassifiable that has been traversing planet Earth since its creation and seems capable of outliving it. It spreads beneath the surface and emerges like a fantastic plant, in multiple senses. The various narrators of the novel—whose voices are heard in 1504, 1888, 1945—and the temporal arc of a future that only literature can imagine will bear witness to it. Time and again, as humanity grows and reflects, the biont, this organism that terrifies but also shelters, will be a mirror of historical evolution under the horror of its idea of progress.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"A contemporary and mysterious novel, in the tradition of the weird and with references to Arthur Machen, Lovecraft, or Chambers, with a touch of ecological horror and a remarkable historical reconstruction.\" –\u003cstrong\u003eMariana Enriquez\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44144207659059,"sku":null,"price":46.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/6.png?v=1774468014"},{"product_id":"las-cosas-que-perdimos-en-el-fuego-mariana-enriquez","title":"Things We Lost in the Fire, Mariana Enriquez","description":"\u003cp\u003eMariana Enriquez's world doesn't have to be ours, and yet, it becomes so. It only takes a few sentences to step into it, breathe it in, and never forget it, thanks to an unusual emotional vividness. With everyday life turned into a nightmare, the reader awakens disheartened, disturbed by stories and images they will never be able to shake off.\u003c\/p\u003e\n\n\u003cp\u003eThe self-proclaimed \"burning women\" protesting against an extreme form of domestic violence that has gone viral; a student who pulls out her nails and eyelashes, and another who tries to help her; the years of government-mandated blackouts during which three friends get high, remaining friends until death do them part; the famous serial killer known as Petiso Orejudo, who was only nine years old; hikikomori, black magic, jealousy, heartbreak, rural superstitions, abandoned or haunted buildings... In these twelve stories, the reader is forced to forget themselves to follow the adventures and investigations of bodies that disappear or reappear at the least expected moment. Whether a social worker, a police officer, or a tour guide, the protagonists strive to advocate for socially invisible beings, thus delving into the weight of guilt, compassion, cruelty, the difficulties of coexistence, and a terror as profound as it is believable.\u003c\/p\u003e\n\n\u003cp\u003eMariana Enriquez is one of the bravest and most surprising narrators of the 21st century, not only within the new Argentine literature by writers born during the dictatorship but also in literature from any country or language. Mariana Enriquez transforms literary genres into narrative resources, from noir fiction to dirty realism, encompassing horror, chronicles, and humor, and delves with pain and beauty into the roots, flames, and darkness of all existence.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150010708019,"sku":null,"price":37.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/8.png?v=1774524346"},{"product_id":"un-lugar-soleado-para-gente-sombria-mariana-enriquez","title":"A Sunny Place for Shady People, Mariana Enriquez","description":"\u003cp\u003eWhoever dares to delve into the pages of this book will feel a shiver run down their spine, and then some. These are twelve tales of horror, twelve stories about horror: about the evil that lurks and the monsters that suddenly emerge in the most everyday reality, in large cities or remote small towns.\u003c\/p\u003e\n\n\u003cp\u003eIn one of the stories, a woman keeps at bay the ghosts that roam loose in a peripheral neighborhood of Buenos Aires; among them, those of her mother who died of a painful illness, those of teenagers murdered in the street, that of a thief caught mid-robbery, and that of a boy fleeing a express kidnapping. In another story, a couple rents a house for a vacation in a town that has been losing inhabitants since the train stopped running; they visit an exhibition of disturbing canvases by a local artist in the abandoned station, but the truly terrifying thing will be meeting the author of those paintings. In another piece, volunteers from an NGO distributing food in marginalized neighborhoods are pursued by children with terrifying black eyes. In another, a journalist investigating the story of a girl who disappeared in a Los Angeles hotel, whose chilling images went viral online, ends up confronting another legend of the city...\u003c\/p\u003e\n\n\u003cp\u003eAfter her monumental and acclaimed novel *Our Share of Night*, Mariana Enriquez returns to the short story and proves that she is still in top form as a great continuer and renovator of the horror genre, which she has elevated to the highest literary levels. Starting from tradition – from gothic novels to Stephen King and Thomas Ligotti – the writer explores new paths, new dimensions.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150010904627,"sku":null,"price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/9.png?v=1774524509"},{"product_id":"el-dia-que-apagaron-la-luz-camila-fabbri","title":"The Day They Turned Out the Lights, Camila Fabbri","description":"\u003cp\u003eOn December 30, 2004, a crowd of teenagers packed the República de Cromañón venue in Buenos Aires. It was the second of three consecutive nights of concerts scheduled there by the popular underground rock band Callejeros. But shortly after the first song began, tragedy struck: a flare hit a canvas tarp on the ceiling, and within seconds, a violent fire spread, killing nearly two hundred young people and injuring close to a thousand. That event, one of the worst tragedies in Argentina's recent history, not only shocked the country: it also marked the end of innocence for an entire generation.\u003c\/p\u003e\n\n\u003cp\u003eSome time later, Camila Fabbri, who had attended the previous night's concert, addressed the disaster and its consequences in this book, which we are now re-editing with a new prologue by the author, twenty years after the catastrophe. Halfway between a polyphonic novel and journalistic chronicle, Fabbri constructs an evocative narrative in which she pours her own memories and the testimony of those affected. With a lucid and serene gaze, she does not seek a journalistic recapitulation of the facts or to point out the guilty, but rather to explore the human dimension of the accident and present a snapshot, both personal and historical, of an era. Throughout the work, her voice blends with those of friends, family, and witnesses, forming a fragmented but precise mosaic of an event that remains painfully present in collective memory even today.\u003c\/p\u003e\n\n\u003cp\u003eThe Day They Turned Off the Lights is not only a valuable reflection on the discovery of vulnerability and on how tragedy strikes us and transforms us into adults: it is also an emotional and bittersweet tribute to the companions who are no longer with us, to first nocturnal adventures, to longed-for youth, and to the dreams and music that one day forged our identity.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150010937395,"sku":null,"price":37.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/10.png?v=1774524533"},{"product_id":"una-historia-sencilla-leila-guerriero","title":"A Simple Story, Leila Guerriero","description":"\u003cp\u003eIn January 2011, Argentine journalist Leila Guerriero traveled to a town of six thousand inhabitants in the interior of her country, with the intention of telling the story of a folk dance competition as secret as it was prestigious, held there since 1966: the National Malambo Festival of Laborde. Malambo, a traditional dance among Argentine gauchos, consists of sustained foot-tapping that, for its execution in competition, requires great technical skill and extraordinary athletic preparation: during the five minutes a performance lasts, the dancer reaches a speed that demands an exertion similar to that of a hundred-meter sprinter. The festival ends each year with the crowning of a man who, in the world of folklore, has the aura of an Olympic hero and is awarded the title of champion. To safeguard the prestige of the competition, the champions have made a pact: once they win, they can no longer compete in another competition. Thus, the malambo with which they are crowned is also the last of their lives. Guerriero arrived in Laborde with a simple idea: to understand why these men, children of humble families, invest time and money training for years to obtain a title that is, at the same time, the pinnacle and the end. But on the second night of the competition, she saw a dancer on stage who left her paralyzed, and at that precise moment, she decided that the story would no longer be just the story of the festival but also that of that man: Rodolfo González Alcántara.\u003c\/p\u003e\n\n\u003cp\u003eThus, she began to follow him, first in Laborde, then in Buenos Aires, this son of a modest family who survived by giving music lessons, and in January 2012, when he returned to Laborde, Guerriero accompanied him. The result is this chronicle full of suspense, packed with endearing characters like Tonchi, González Alcántara's childhood friend, who, despite having a severe health problem, travels to Laborde to see him dance; or his own parents, who, since they don't have money to pay for lodging, rent a bus where they live and sleep during the days of the festival. As the night of the competition approaches, González Alcántara takes on the dimensions of a tragic gladiator, a man preparing for a moment of immense solitude in which he knows he can win or lose everything. And Leila Guerriero, from a distance as intimate as it is implacable, as profound as it is stark, as discreet as it is intrusive, accompanies him on that journey to the final night. This book tells the most difficult of epics: the epic of the common man. That of someone who advances towards a dream moved by the most dangerous of feelings: hope.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150011002931,"sku":null,"price":37.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/11.png?v=1774525016"},{"product_id":"matate-amor-ariana-harwicz","title":"Die, My Love, Ariana Harwicz","description":"\u003cp\u003eI wrote *Die, My Love* with a vengeful spirit. I remember nothing but that, one afternoon at the end of a summer of thunderstorms in 2011, at my house in the French countryside, I threw myself onto the grass, that is, \"I reclined on the grass among fallen trees and had the impression of carrying a knife with which I was going to bleed myself out with a swift cut to the jugular.\" I remember getting up from the grass with a bloody neck, walking straight to my room, entering through the window, and sitting down to write the first sentence of what would become *Die, My Love*. But that wasn't writing. What they call writing is a lie, it's something to doubt, what they call writing is always something else, a war, sleepwalking, seeing enemies everywhere, it's something from another dimension.\u003c\/p\u003e\n\n\u003cp\u003eWord by word, phrase by phrase, comma by comma, period by period, nothing was corrected or altered by any editor in any edition. Not because it's brilliant or out of superstition, but to preserve in that first page the unique music of that late summer afternoon in 2011. To write to make disappearance endure. I wrote then, as an act of reckoning, as a pact with the mafia, if it's not allowed to shoot, burn stables, or kidnap neighbors, at least it's another way to take justice into one's own hands.\u003c\/p\u003e\n\n\u003cp\u003eI wrote *Die, My Love* while sleeping with the maddening cry of the baby above me, watching the cats under the frost, with rodents parading through the house, with the AJJJAJJJ of an owl spitting out brains it couldn't swallow, and without knowing I was writing a novel, without being anything, much less a writer. How disgusting to speak, she says, how disgusting to write. To write without knowing one is writing, to write anti-writing, the high dream of every writer.\u003c\/p\u003e\n\n\u003cp\u003eFourteen years have passed since that time I threw myself onto the grass in a demented state; *Die, My Love* was brought to trial and was read in a sentence by a French provincial judge. I dreamed I was waiting for him at the exit of the Provincial Court and I killed him, or that I followed him home and poisoned him. The novel was cited against me as: \"an example that a novel in which the character hates motherhood makes the author a bad mother.\" Writing is not, as they want us to believe today, adhering to an ideology, campaigning for an ideology, submitting to an identity; writing is opposing the world.\u003c\/p\u003e\n\n\u003cp\u003eThis work was adapted to film under its original English title, *Die, My Love*, and premiered in Official Competition at the Cannes Film Festival in May 2025. Produced by Martin Scorsese and directed by Lynne Ramsay, it starred Jennifer Lawrence and Robert Pattinson. Close to the Thomas Bernhard universe, this novel reveals to us that it is in language that the only possible freedom resides.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150011035699,"sku":null,"price":37.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/12.png?v=1774525078"},{"product_id":"la-uruguaya-pedro-mairal","title":"The Uruguayan, Pedro Mairal","description":"\u003cp\u003eLucas Pereyra, a writer who has just turned forty, travels from Buenos Aires to Montevideo to collect money sent to him from abroad, which he cannot receive in his country due to currency restrictions. Married with a son, he is not at his best, but the prospect of spending a day in another country in the company of a young friend is enough to lift his spirits a little. 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We are in Victorica, in the Argentine province of La Pampa, in the years following 2197, the year the last Antarctic ice melts and an unprecedented climate catastrophe ensues, radically transforming the region's landscape into a Pampean Caribbean. In this context, the dengue child grows up, the protagonist, a carrier of this virus; a humanoid mosquito whose monstrous appearance not only makes him cannon fodder for his classmates –led by a tyrant named el Dulce– but also causes his own mother's disdain.\u003c\/p\u003e\n\n\u003cp\u003eAnother surprising effect of the melting ice is the appearance of powerful telepathic pebbles from the Earth's depths that seem to recover the wisdom of the world's childhood, which el Dulce and his brother smuggle. 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Noa decides to escape her native Guayaquil with her best friend, Nicole, to attend Ruido Solar, a popular macrofestival that annually gathers thousands of young people—including musicians, dancers, poets, and shamans—for eight days and seven nights at the foot of one of the many volcanoes in the Andes. Left behind are families and the violence of the cities, and an hallucinated landscape unfolds, trembling to the rhythm of music and volcanic eruptions under a sky streaked with meteorites. For Noa, this will be the first stop before reuniting with the father who abandoned her when she was a child and who has lived for years in the high forests, a territory where the disappeared also hide, those who once went up to Ruido and never returned home.\u003cbr\u003e\n \u003cbr\u003e\nSupported by extraordinary lyricism, dazzling aesthetics, and a brutal sense of rhythm, Electric Shamans at the Sun Festival is a great mystical journey to the primitive heart of music and dance; a lysergic and emotional journey that is at once the search for a father and a sense of belonging in a world that knows only loss and helplessness.\u003c\/p\u003e\n\n\u003cp\u003eTHE NEW NOVEL BY THE AUTHOR FINALIST FOR THE NATIONAL BOOK AWARD for Jawbone\u003c\/p\u003e\n\n\u003cp\u003eSelected by Granta magazine as one of the 25 best young Spanish-language narrators\u003c\/p\u003e\n\n\u003cp\u003e«Mónica Ojeda is a blazing black sun in the astral chart of contemporary horror.»\u003cbr\u003e\nFernanda Melchor\u003c\/p\u003e\n\n\u003cp\u003e«In this novel, Mónica Ojeda invites readers to a retro-futuristic Andean festival in the mountains. Psychedelia, volcanoes, disintegration. And then the language that burns, and nothing is as it seems. Following her on this journey is, without a doubt, an intense experience.»\u003cbr\u003e\nMariana Enriquez\u003c\/p\u003e\n\n\u003cp\u003e«With fear and fascination, that's how I read Mónica Ojeda. As if reading a spell, as if biting into flesh, fearing to find something sharp inside. So poetic, so disturbing and brutal.» -Samanta Schweblin\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44150012084275,"sku":null,"price":43.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/18.png?v=1774526106"},{"product_id":"no-voy-a-pedirle-a-nadie-que-me-crea-juan-pablo-villalobos","title":"I'm not asking anyone to believe me, Juan Pablo Villalobos","description":"\u003cp\u003e«I'm not going to ask anyone to believe me,» the various narrators and characters of this story frequently warn us, in which the ordinary transforms into a delirium without one quite knowing how, in which the strange ends up being normal, and in which we can do nothing but laugh, because everything is hilarious, everyday, and surreal all at once, like life itself. It all begins with a cousin who, even as a boy, showed signs of being a con artist, and who now gets the protagonist – a Mexican who travels to Barcelona with his girlfriend to study literature, and who also shares the author's name – into a monumental mess: a «high-level business» that turns his stay in the city into a kind of black humor crime novel, one of those he would like to write. Through these pages parades a motley crew of priceless characters: dangerous mobsters – el licenciado, Chucky, the Chinese guy –; a girlfriend named Valentina who reads The Savage Detectives and is on the verge of destitution and completely clueless; a girl named Laia whose father is a corrupt politician from a right-wing nationalist party; an Italian squatter who has lost his dog; a Pakistani who pretends to sell beer to avoid suspicion... 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A novel that troubles with the question of whether, to turn the tide and navigate in another direction, it might sometimes be necessary to set aside innocence.\u003c\/p\u003e\n\n\u003cp\u003eAlthough Pablo Simó wants to build the tower of his dreams, he limits himself to drawing it: he has been working for twenty years in an architectural studio that he cannot or does not want to leave. Twenty years is also how long he has been married to Laura, to whom he is only bound by habit and a typically adolescent daughter.\u003c\/p\u003e\n\n\u003cp\u003eWhen a young woman unexpectedly arrives at the studio looking for Nelson Jara, the web of secrets in which Simó is involved along with his boss and a co-worker will begin to unravel. 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A few weeks before the tragedy, Liliana finally made a definitive decision: in the depths of winter, she had discovered that within her, as Albert Camus had rightly said, there was an invincible summer. She would leave him behind. She would start a new life. She would pursue a master's degree and then a doctorate; she would travel to London.\u003c\/p\u003e\n\u003cp\u003eHis decision was that she would not have a life without him. Just a year ago, I decided to open the boxes where we had stored my sister's belongings. 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Across ten lectures and classes, delivered between 2009 and 2025 at institutions and festivals in Argentina, Spain, and Uruguay, and transcribed here for the first time, Martel shares the resources that activate her cinema and her unique relationship with sound, while also broadening her perspective on the historical and current tensions of narrative.\u003c\/p\u003e\u003cp\u003eHer talks offer a free-ranging exploration of some unsettling questions. How can we sensitively engage with what is happening in our territories? How do we recover dialogue with those who think differently? What narrative strategies are desirable in the face of algorithmic and platform standardization? Without offering categorical or solemn answers, Martel suggests tools for collectively experimenting with other ways of inhabiting the present and future. The book, organized into three sections, also includes exchanges with Argentine filmmaker and writer César González, Spanish director Carla Simón, and journalist Leila Guerriero, in which counterpoints regarding artistic creation emerge. The constant aim is to converse as a way to mend community and build a possible space for thinking with others.\u003c\/p\u003e\u003cp\u003eA Common Destiny is not about her films, but rather draws on her filmmaking practice to propose new discussions in the cultural sphere. In times of closed discourses and predictable authoritarian gestures, the voice of the director of The Swamp and Our Land is striking for its frankness and provocative stance, willing to review past mistakes, confront the despondency of the present, and encourage future generations to invent what does not yet exist.\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44259326689331,"sku":"9789878272429","price":64.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/1_c82e1b19-4723-4c4c-a1f7-6f9be7c95e47.png?v=1778289170"},{"product_id":"los-peligros-de-fumar-en-la-cama","title":"The dangers of smoking in bed","description":"\u003cp\u003eA little girl unearths some bones in the garden that turn out not to be from an animal; the bucolic summer scene of girls bathing in a natural setting turns into a hell of jealousy with disturbing consequences; a despised beggar sows misfortune in an affluent neighborhood; Barcelona transforms into a disturbing stage, marked by guilt and from which escape is impossible; a ghostly presence seeks a sacrifice in a spa; a girl feels a fetishistic attraction to sick hearts; a rock star who died atrociously receives a tribute from his fans that goes beyond imagination; a boy who clandestinely films couples making love and women in high heels walking through the streets receives an offer that will change his life.\u003c\/p\u003e\n\u003cp\u003eIn the twelve superb stories that make up this volume, Mariana Enriquez displays a whole repertoire of classic horror story resources: spectral apparitions, witches, seances, caves, visions, the dead returning to life... But, far from proposing a mere archaeological revisit of the genre, she reworks this material with her own radically modern voice. Following the thread of the best tradition, she takes it a step further, with stories that delve into the sinister lurking in the everyday, unfold a murky eroticism, and create powerful images that leave an indelible mark.\u003c\/p\u003e\n\u003cp\u003eThose who discovered Mariana Enriquez with\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThings We Lost in the Fire\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003enow hold an earlier book, in which the universe of a writer who connects with modern masters of horror literature such as Shirley Jackson, Thomas Ligotti, or her compatriot Cortázar, is already perfectly outlined. Enriquez peers into the most hidden abysses of the human soul, into the submerged currents of sexuality and obsession...\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44264045412403,"sku":null,"price":37.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/lospeligrosdefumarenlacama.png?v=1778459754"},{"product_id":"las-malas-camila-sosa-villada","title":"The Bad Ones, Camila Sosa Villada","description":"\u003cp\u003eWhen she arrived in Córdoba to study at university, one night, scared to death, she went to spy on the transvestites in Parque Sarmiento and found her first place of belonging in the world. \u003cem\u003eLas malas\u003c\/em\u003e is a rite of passage, a fairy tale and a horror story, a group portrait, an explosive manifesto, a guided tour into its author's imagination, and a chronicle unlike any other. In its DNA converge the two trans facets that most repel and terrify polite society: transvestite fury and the joy of being a transvestite. In her literary voice coexist Marguerite Duras, Wislawa Szymborska, and Carson McCullers, with a Cordoban accent. \u003cem\u003eLas malas\u003c\/em\u003e is the kind of book that, as soon as we finish reading it, we want the whole world to read.\u003c\/p\u003e\n\u003cp\u003e\"When we write, my dear Cami, our ancestors rise from filthy death, from sadness and loneliness, and we avenge the destiny imposed on us by this filthy world, and we are finally our dream, being born, boiling, being born, boiling, being born...\"\u003cbr\u003eSUSY SHOCK\u003c\/p\u003e\n\u003cp\u003e\"Villada shouts truth in a veritably trans prose and from there demands a new hermeneutics from everyone outside our community. Is what has been fictionalized to the point of exacerbation true? Is all this phantasmagoria true? Yes! Because Camila paints us there in all our densities, and there she exposes you in your lies and ominous actions against us.\"\u003cbr\u003eMARLENE WAYAR\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNovel winner of the Sor Juana Inés de la Cruz Award in 2020; the Finestres de Narrativa en Español in 2020 and the Grand Prix de l'Héroïne 2021.\u003c\/span\u003e\u003c\/p\u003e","brand":"Sur Books","offers":[{"title":"Default Title","offer_id":44296822292531,"sku":null,"price":47.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0688\/4281\/5539\/files\/las-malas.jpg?v=1778583572"},{"product_id":"pedro-paramo-juan-rulfo","title":"Pedro Páramo, Juan Rulfo","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e«Pedro Páramo» trata sobre el viaje de Juan Preciado en busca de su padre Pedro Páramo, a petición de su madre en su lecho de muerte. 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